6/13/2023 0 Comments Bust a move 4 computer trade inartwork that championed tradition and restraint b. Complex, sometimes ornate artwork that celebrated grandeur, but overall was stylistically diverseĬ. rendering multiple perspectives at once in the a single pictorial spaceī. Originally a perjorative term, Baroque came to represent what formal qualities in artwork in the seventeenth and eighteenth centuries?Ī. Religious artwork should be clear, persuasive, and powerful. They renewed their belief in the accessibiity and usefulness of images as vessles for teaching faith. Since the invention of the printing press in the 15th century, books were more available to the masses and therefore religous art was less necessary to teach faith. ![]() Religious artwork should be clear, persuasive, and powerful.Ĭ. ![]() Images were idolatrous and offensive to God, and therefore should be eliminated.ī. Through the Council of Trent and emerging from the Reformation, the Catholic Church saw the use of religious images in what way that would ultimately impact the Baroque era?Ī. The use and abuse of images was a topic of debate, sometimes rising to the point of destroying religious images. Images were useful in teaching the miracles of god, and how to live according to religious doctrine. The use and abuse of images was a topic of debate, sometimes rising to the point of destroying religious images.Ĭ. It had little to no effect on the use of religious imagery.ī. first life-sized nude figure since classical antiquity, demonstrating a revival of artistic notions of more realistic representation from classical antiquity or Greek and Roman sculpture The Reformation had what impact on art in the sixteenth century?Ī. a mixture of symbolic representation and realistic representation, bringing together stylistic conventions of depiction from medieval Christiandom with artistic ideals of the Renaissance b. first life-sized nude figure since classical antiquity, demonstrating a revival of artistic notions of more realistic representation from classical antiquity or Greek and Roman sculptureĬ. static motionless figure that was heavily draped and seemed to hover or float in space, referencing divine presence, rather than an earthly bodyī. linear perspective and a return to realistic representation Donnatello's sculpture of David represents what break in representation in art from the medieval period to the Renaissance?Ī. static figures their motionlessness represents their divine nature a. less realistic and more symbolic representationĬ. linear perspective and a return to realistic representationī. ![]() literal embodiment of the divine, when prayed to the divine energy of Shiva is present What are the two defining formalistic characteristics of Renaissance art?Ī. literal embodiment of the divine, when prayed to the divine energy of Shiva is present c. ornate decorative sculpture carried in processional parades, often luxuriously adornedĬ. symbols of the powerful Chola Dynasty which heralded a golden age of trade and artistic develoopmentī. Statues like the Shiva Nataraja held what kind of significance to eleventh-century Hindus of India?Ī. Landscapes represented a search for absolute truth embodied in nature. Chinese artsits saw landscapes as more than just a setting for figures as Western medieval art did. Landscapes represented a search for absolute truth embodied in nature.Ĭ. ![]() China's natural landscape played an important role in the shaping of the Chinese society.ī. the pointed arch Why was landscape painting considered a high form of artistic endeavor to the Chinese during the eleventh century?Ī. What is the most fundamental element of Gothic architecture?Ĭ.
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